Especially Noteworthy is the use of elements with text such as product labels and newspaper clippings. Employing equal parts philosophy and artistic process Schwitters tried to unite all art forms as a way to develop a new aesthetic for the chaos of modern lifestyles. This assumption encourages us to restore the critical valences of Schwittersss work through their Media interventions. The next decade of work is well represented as well as the last decade of Schwittersss life with works that have been made in exile in Norway and England in the 1940 century. Real Merzbauen had been destroyed by the Allied bombings 1943. Schwitters themselves had fled the city and Nazisin 193. Bissegger and Ernst Schwitters worked mainly from a few black and white photographs of the installation taken in 1930 and from Ernsts memories of playing in the structure as it was under construction.Especially notable is the use of elements featuring text such as product labels and newspaper clippings.Employing equal parts philosophy and artistic process Schwitters sought to unite all art forms as a means of developing a new aesthetic for the chaos of modern living.This premise encourages us to recover the critical valences of Schwitterss work through its media interventions.The next decade of works is well represented as is the final decade of Schwitterss life with works made in exile in Norway and England in the 1940s.The real Merzbau had been destroyed by Allied bombs in 1943. Schwitters himself had fled the cityand the Nazisin 193. Bissegger and Ernst Schwitters worked primarily from a few black-and-white photographs of the installation taken in the 1930s and from Ernsts memories of playing in the structure as it was under construction.